Pink trousers, straw hat. A golden glow that adorned hands, fingers and wrists. Raise your gaze and remember childhood. A first meeting that fueled a spark suspended in time: the beginning of an unexpected chapter.
Cross between avant-garde and tradition. Rosario La Tremendita and La Kaíta. From the spark emerges this piece that is more than a show: a bridge between Badajoz and Triana woven by the evolution of flamenco. A proposal that exudes passion, authenticity, irony and sense of humor, anchored in popular wisdom like an ancient and future wire that holds everything together.
An open wound that gapes like blood gushing out. An experiential journey that promotes an intense dialogue between the stage and the audience, delving into the heart of shared passions, without haste and without selfishness. A ritual that upsets us, that goes straight to the chest, to the guts and viscera.
A meeting where two worlds coexist, like the notes of an electric bass mixing with the ancestral sound of percussion. It is a wild experience that moves away from political correctness and seeks the purity of emotions.